Monday, November 30, 2009

Melodrama, 1950s Style!

If you haven't seen Written on the Wind (1956), directed by Douglas Sirk, written by George Zuckerman, based upon a novel by Robert Wilder, starring Rock Hudson and Lauren Bacall, I will not shame you... Nor will I tell you to rush to youtube or wherever and watch it. It's a film that, fun to watch alone, would be best with a friend or two who enjoy old movies/ kind of bad old movies. There is just so much 1950s Cultural America/Societal Morality in this movie, it kind of makes me dizzy. I know the stars are supposed to be Lauren and Rock, but if I were titling this film I'd go ahead and call it Good Girl Vs. Tramp, as Dorothy Malone character is really the scene thief. Anyway, I'm getting ahead of myself.
This film teaches little girls that nice girls wear less exciting clothing, don't drink, don't have sex before marriage, stand by their husbands, and try to marry rich, and don't really want careers if they can have a husband, big house and babies. None of this is necessarily BAD, but oh dear Lord, I could sit here all day talking about women and men and the onslaught of conservatism in the US, post WWII. I shan't bore you with it. All I mean to say is that this film is terribly amusing in its main theme: Don't be a slut. Pardon my....Corsican (why not?). The main characters really do not interest me in this tale. We all love Bacall (playing the character of Lucy) but her character is snore-inducing. She's pretty and smart, and she and Rock Hudson (playing Mitch) have clear chemistry from the start. It's also overpoweringly clear that Mitch is a nice gentlemanly fellow while his millionaire friend, Kyle (played by Robert Stack), is a playboy with no interesting character traits aside from showing Lucy a gigantic walk in closet full of pretty dresses and hats. Blah blah blah she says she falls in love with him on the plane (whatever, writers...I know it makes the plot work, but I don't believe it for a second). He wants to deflower her, she says no (being a good girl), and then they get married, and there's talk of infertility which drives Kyle to revert to his old alcoholism.

The fun, interesting story arrives in the character of Kyle's sister, Marylee (played by Dorothy Malone) who may as well have been plucked from the cover of a cheap pulp fiction novel of the day. Her clothes are sexy (!), her hair is a little too yellow and she wears a little too much eyeshadow. There's nearly always a hard drink in one hand, a cigarette in the other.


She's actually a very pretty woman and at melodramatically poignant moments in plot, we see her softer, loving side. If only Mitch would love her, she wouldn't have become such a wanton woman!!! (Music cue!!!) I won't spoil the plot for anyone in case you're interested but, a couple people fall down stairs, there's a court scene and a ridiculous, happy ending. I think that's all you need to know. Most of the screen caps are of Dorothy Malone as she clearly has the best acting job in this picture. The woman gets her own bad girl music cues for goodness' sakes.

Watch as she dances wildly, her she-devil music blaring! Her very wickedness strong enough to kill! Look out, powerful women are dangerous! Okay, she's not that powerful, she's sort of messed up...but you know, if we wanted to dig deeper....I'll shut up now.



Check out the gorgeous court looks on these dames!

Gorgeous!

I challenge anyone to watch the beginning of the film, followed by this classic Celine Dion music video, and tell me they don't complement each other beautifully (giggle).

Saturday, November 28, 2009

Thanksgiving!

I wore my most autumnal dress and posed like a fifties housewife. You may observe.

Saturday, November 21, 2009

Just when I think Etsy can't possibly get any cooler...

IT BLOWS ME OUT OF THE WATER.










Anybody who loves pop culture and/or pop art is about to lose it. Ladies and gentlemen, BEHOLD BAOSTUDIO in all its glory!!! I know that I hardly ever wear t-shirts and I don't really need more than a few tote bags, but this company makes me want to buy them out, their products are so devastatingly lovable.

Wednesday, November 18, 2009

Movies, Politics, Comics, Oh MY! (and some poetry too)


It's been a while since I've really sat down and written a mean blog. I am always impressed with these blogging folks who constantly have interesting thoughts and ideas they compile together neatly and beautifully on a regular basis. Furthermore, I don't know how they find time or energy. Well, that being said, I seem to find enough time to watch episodes of Conan O'Brien, Jon Stewart, Colbert, Family Guy and Glee on my computer...and let's not forget my recent foray into at least somewhat-forgotten movies of my childhood via Netflix streaming (I may post on that later).

But ANYWAY...I'm going to spill some babbling thoughts on you. Get ready.

First Stop on Margaux's Wild Ride: Communism and Artists as Liberals (vs) Patriotism and Nationalism in Post(ish)-Cold War, Pre-9-11 American Film!

Wahoo!! Who's excited?!!?? Me too. The first film I'd like to observe with you is REDS (1981) directed and produced by Warren Beatty, who also wrote the film with Trevor Griffiths. Warren also stars as John Reed alongside Diane Keaton's Louise Bryant and Jack Nicholson's Eugene O'Neill. Now, I don't know Mr. Beatty personally, but well...I'll give him some credit. This is a big picture. It's a sweeping piece full of drama, and there are a lot of interesting stories that we don't see in many films, including stories from people who knew Reed, Bryant and O'Neill or were at least around during the period. However (I'm gonna say it) the film struck me as a little self-indulgent at times. In terms of filmmaking and editing, I know little, however, I know enough to realize when a director is being redundant simply because he loves his movie too much to let go. I find this ironic because in the film, it's lighted upon that good writers are smart enough to know when to cut things out. For example, we see Beatty and Keaton being steamy with one another to the tune of the Russian (Bolshevik? Soviet?) anthem, at least two or three times, and honestly, I'm not against steam, but in a three and a half hour film about the Russian Revolution and an American communist reporter and his lady love, do we need all the repetition? We get it. They're in love and they make love, and the dog is always hungry and wanting to come in the room. Another example of unnecessary regurgitation might be found in the train scene in which an old gentleman tells lots of funny jokes that Louise (Keaton) finds funny. We get it. He's funny. We only needed one or two examples. Not seven. Then we see about three long, drawn-out arguments Reed has with the Russian Communist Party over the Americans needing their own party that he will lead. Did we need three examples? Couldn't they have just said no, once? In the end, Reed realizes he loves his wife, Louise more than Communist Revolution (something he should have figured out a long time ago, but hey, it makes a crazy story, so that's something). I think, from what little I've read of Warren Beatty, and that's not saying much...his feeling or interpretation of Reed is that the man was fighting for justice for all mankind. But from what I saw in this film, I felt that at least in terms of Beatty's portrayal, Reed had more interest in leading people than helping them, in getting credit and being an important part of a political movement. Sure, he believed in it, but he blindly rushes off to Russia, putting himself in danger, as well as his wife. And for what? I have to say I found the movie sad and fascinating, but not at all inspiring. Maybe that is exactly the feeling Beatty set out to bestow upon me, in which case I salute him.



The next film on my mind that I recently re-watched was part of my Netflix-streaming nostalgia kick. This film being Air Force One (1997) directed by Wolfgang Petersen, written by Andrew W. Marlowe and starring Harrison Ford. I remember seeing this film in the movie theatre when I was about ten years old. My mom and I liked it, over all. Watching it again, now, and looking at the Russian Communist terrorist seems so strange and somewhat comical to me. In this day and age, I don't feel like anybody is afraid of Russia or sees the nation as a villain any more. Okay, perhaps older generations have their suspicions, and clearly there appear to be many American souls who think the words "communist" and "socialist" are synonymous with "satanic". It's an interesting little time capsule of political feeling. The film takes pride in a president who stays out of trouble, speaks his mind, does what's "right" and gives impressive, surprise speeches. I always loved those speeches in movies because I feel like they just don't happen as beautifully in real life...okay, maybe I should have said "cinematically". This movie is just such an American fantasy. Harrison Ford is one of our movie heroes and there he is-leading the nation and kicking terrorist ass. It's such a joke, and yet it bleeds into our culture. Who's the governor of California? That's right. And if Harrison Ford ran for office anywhere? Yes. He would win. I found this scene interesting in juxtaposition with the scene from Reds.


The movie is an Hurrah USA! It's a celebration of patriotism, maybe one could even say nationalism. I believe I can even recall the line, "Here come the Good Guys," when American military aircrafts come in to assist the hijacked Air Force One. I don't know how I feel about it all, but gee, if it isn't fun to watch. It sucks you in, and how could you ever doubt Indiana Jones as the face of America? Now, I'm not saying Terrorists aren't "bad guys". I think I agree with that...but...well, you know what I'm saying (I hope)...the political climate is so different these days.

You think I'm done? Sit back down and sip your cocoa. This broad's just gettin' warmed up. Next stop? Well, why not look back to the year 1940 at this wonderfully amusing and patriotic comic!? The superhero of these tales is none other than The Fighting Yank. I came across the comic on this marvelous blog whilst sitting in my theatre history class. It's amazing how multi-tasking on a computer can make a class more interesting. I nearly read an entire issue, giggling.

And last but not least, because I wrote a (sort of messy) research paper on him, let's look at some early, Communist poetry from one of our favorite American poets, Langston Hughes!! He was called before McCarthy and the gang in the 1950s but basically said, "It's cool, Fellas. I'm not a radical any more." To which they replied, "Oh good, that's a relief. Okay, see ya later."

White Man

Sure I know you!

You’re a White Man.

I’m a Negro.

You take all the best jobs

And leave us the garbage cans to empty and

the halls to clean.

You have a good time in a big house at

Palm Beach

And rent us the back alleys

And the dirty slums.

You enjoy Rome—

And take Ethiopia.

White Man! White Man!

Let Louis Armstrong play it—

And you copyright it

And make the money.

You’re the smart guy, White Man!

You got everything!

But now,

I hear your name ain’t really White Man.

I hear it’s something

Marx wrote down

Fifty years ago-

That rich people don’t like to read.

Is that true, White Man?

Is your name in a book

Called The Communist Manifesto?

Is your name spelled

C-A-P-I-T-A-L-I-S-T?

Are you always a White Man?

Huh?

I believe that poem was written in the early 1930s. Anyway, hope you enjoyed my rambling. There's more to come....!

Friday, November 13, 2009

Hilarious.

Click the photo. The first sign on the left reads "Most Beautiful Lady," and the next sign says "Most Beautiful Suit." Check out the facial expressions. Glorious.

Wednesday, November 11, 2009

It's my party and I'll put off my homework if I want to.

I have ten pages to write. That I haven't begun to write. That I don't want to write. Today is my birthday and it feels like the least birthday-ish birthday. I get the day off from school every year, but my relaxation has been clouded by this paper and the fact that I'm still not perfectly healthy as I so desperately wish to be. I think maybe I will try to stay up late, cleaning my room (a messy room=a messy brain, for me, anyway) and getting something-ANYTHING school-related, Done. I shall just have to postpone dress up/celebration of my birth until this weekend and Thanksgiving. Mmm, Thanksgiving!

Friday, November 6, 2009

FRIDAY

I have been so very very busy avec school, you wouldn't believe it. We're talking twelve-thirteen hour days here, folks. But now I'm home and I made myself pasta and aside from homework and rehearsing this weekend, I can take a break and collect myself and breathe a little more deeply (through my mouth since my sinuses are HORRID currently). But this rambling and whining must cease!!! I don't have many thoughts unrelated to my cold, and all the things I've got to do, but.......I had a good Halloween. Here are some silly pictures I took of myself as Little Red Riding Hood. Happy November!!!