Friday, August 28, 2009

21 favorite male film stars

So I've been inspired by my friend Kelsy's blog to make a list of my favorite actors. I could go into depth explaining my "history" with all these people and their films, but I'll try not to bore anyone and simply state that some of these men are my favorites more for their comedy than their acting, or more for their looks, etc. It varies....honorable mention goes to Humphrey Bogart, Harrison Ford, Gene Wilder, Anthony Hopkins and others I will think of later. Enjoy the randomness.

Jimmy Stewart

Steve Martin

Robert Downey Jr.

Leonardo DiCaprio

Tom Hanks

(Young) Mel Gibson

Marty Feldman

Peter Lorre

Jeremy Northam

Javier Bardem

Gregory Peck

Gene Hackman

Stephen Fry

Clark Gable

Ewan McGregor

Daniel Day-Lewis

Cary Grant

Fred Astaire

Alan Rickman

Joseph Gordon-Levitt

Bill Nighy


Thursday, August 27, 2009

Thursday afternoon.


Half-watching a PBS film on biological weapons online, reading The English Patient by Michael Ondaatje, considering some food that isn't chocolate, considering making a pie, going over some lines, experimenting with pomade in order to make my hair look like Grace Kelly's.




Tuesday, August 25, 2009

Ch-ch-ch-changes.






















So I'm a novice at about pretty much anything to do with computers. Well, as much as a girl can be a novice despite the fact that she was born in the eighties and grew up with them. Only a little while ago did I realize that I could post a link on my blog without having to enter a code myself. And just minutes ago I realized I could change the domain of my blog in two seconds so that it actually matches the title.

Anyway, I hope the few passers-by out there don't have trouble finding me. I'm going to change to lareinemargaux.blogspot.com in a day or two. Oh, large font is exciting.


In other unrelated news, I watched yet another movie on Netflix the other day, this being The Edge of Love (2008), directed by John Maybury, written by Sharman MacDonald, starring Keira Knightley and Sienna Miller, etc. I really have very little to say about it except that it was set in the 1940s in the British Isles, so I had to watch it on principal if for no other reason. There isn't much of a story or point that I could surmise, but I'll sum up as briefly and painlessly as possible: Keira Knightley's character is a singer in London, the war's on, she was the childhood friend/adolescent lover of Dylan Thomas back in Wales, he has a crazy, freewheeling wife who likes to flirt with other men but is still possessive of him (enter Sienna Miller) and then there's a brooding, creepy-eyed soldier who marries Keira, yada yada yada, bing bang boom, blah blah blah. In conclusion, I watched the whole thing for the pretty hair, pretty make up, pretty scenery and pretty clothes. The acting was fine, and I thought Keira did some nice dialect work and I thought her singing was quite good for someone who isn't a singer (do I sound mean? I'm trying to be honest and nice). I'm done babbling though. Here are some pretty pictures.




Sunday, August 23, 2009

Favorite Film of 2008, Hands Down, No Doubt About It, I Really Mean it, Holy Moses.

So I've been sick, and have spent my time watching a LOT of movies. The best (by far) I hadn't seen before was Happy-Go-Lucky (2008) directed and written by Mike Leigh who also wrote and directed Secrets and Lies (1996) another film I really like, but haven't seen in years. Happy-Go-Lucky stars Sally Hawkins as Poppy, an optimistic English school teacher who loves life and the people in it, no matter their occasional unwillingness to play along.

Normally when I want to be put in a cheery mood, I go for a romantic comedy (Fred Astaire, Audrey Hepburn, etc). I personally don't come across many sweet, happy movies that don't involve a happy romantic ending. I am also a connoisseuse of the female power film (if you can call them that....) but few of those leave you REALLY truly happy at the end. Usually those films (I'm talking things like Shirley Valentine (1989), The First Wives Club (1996), Sweet Charity (1969), An Unmarried Woman (1978)) are really great, but there's still a hint of a feeling at the end: these women are alone in the world somehow, unless they keep finding love. Sure, sure they're all optimistically looking into the future, and their relationships with friends and family might be there to a degree, but a part of me is left looking at these heroines, wondering, "Will she be all right?" once the credits start to roll. The movie Happy-Go-Lucky isn't about finding love and holding onto it, it's about giving love and being happy and grateful for life itself, finding the fun, the joy, experiencing it. At the end of this movie, I am not worried that Poppy won't survive if her new relationship fails. I'm not worried that she'll lose hope and be left alone. Poppy has faith in the world around her and faith in herself no matter the day of the week. What's more, I think the friend love story in this film is so believable and endearing, so beautiful. On a sidenote, it's funny because Sally Hawkins reminds me physically of Parker Posey but they play such totally different characters. If you're looking for a depressed girl romantic comedy to play double feature to this, I suggest Broken English (2007).

Friday, August 21, 2009

I am my own label: a true story

Once upon a time there was a girl who had but one top designer item, this being a vintage Ungaro skirt purchased for about ten dollars at a thrift store. Then one week this girl went to the Bon Marché in Paris and was dizzied by the things she couldn't afford, but too thirsty for shopping to not spend over twenty times what she normally would on a pair of Chanel sunglasses, thinking that her terrible luck with sunglasses would end with the blessing of Coco. A month or so later that same girl lost that same pair of Chanel shades in the vast city of New York. Surprise ending!! The girl was yours truly.

At first I was frightened, ridden with guilt over the ludicrous amount of money I'd spent, and then lost. I beat myself up, called myself stupid. Miraculously, the next day, a weight had been lifted and has never since returned. I've come to a wise conclusion that probably anybody can relate to: we are not defined by the material things in our lives. Value is not determined by cost or label. No, no, no, no, no. To let something like this haunt you is to admit to being weak and (pardon me if anyone takes offense) utterly, inexcusably ridiculous. Now, okay, I'll admit that if it had been a vintage Chanel suit or dress I lost, my heart might still be hurting. But at the end of the day, it is my earnest hope and desire that the tears I shed in life be over the love I've lost and gained, not over the things, no matter their label, no matter the money spent. And besides, the glasses always slipped off my nose when I put my head down, and they were very cute but I believe in my heart that the glasses and I were just not meant to have a long term relationship. I hope that some nice girl who couldn't afford them found them where I left them and was thrilled. It's a lovely thought, anyway.

The truth is that one of my favorite sweaters is vintage and cost me a mere 25 cents. Things don't have to be famous and mass-produced to be valuable or to make you look good, feel good or like yourself. I must admit that in Paris, I felt like an odd duck, too quirky and colorful to blend in somehow, but I feel it's time to embrace my weirdness yet again, to parade myself in my eccentric glory and not care what the magazines tell me a woman should be and wear. And after all, Coco Chanel was once a girl without money, who made her own rules, stuck out, and later became a fashion icon. Here's to karma, to the unpredictability of life, and to realizing that being yourself is far more special than owning expensive things.

Thursday, August 20, 2009

je reviens...encore

I've been away in New York City and am home again, home again. Since being home I've made beautiful red velvet cupcakes and fallen ill. Today I'll be taking it easy and catching up on the last season of Mad Men (I love that so many of the bloggers I follow are equally enamored with this aesthetically scrumptious program). I think I'll just post some of my favorite photos of the trip. I edited them a little to make them even prettier.











Saturday, August 8, 2009

Mean Red Dress Up

I've been awfully bored this summer. I seem to have a lot of fun followed by a lot more boredom. I've had a sore throat and a headache the past day or two so at least I can blame all my silly movie-watching and lying around on that. Today I watched The Seven Year Itch (1955). It was pretty entertaining, and I appreciate Marilyn Monroe even if she's not my favorite. A part of me feels sorry for her when I watch her films, because I see her as a woman who was so hugely objectified. I suppose all movie stars are, and women are objectified all the time no matter what, but anyway, I appreciate her for being so curvaceous. Right now, I am about three hundred miles from the gamine Audrey Hepburn physique, so it's comforting to see an hourglass figure in a movie.

What have I done today? Why, played dress up and put on lots of different hats of course!



Everything thrift or vintage, from antique stores/thrift stores, except the blue dress which came from the Sloane boutique, and the grey/black jacket which came from Myer in Melbourne.

Thursday, August 6, 2009

...and they all go to the seashore!

Melina Mercouri as Ilya, followed by my attempt to channel her finesse....it's a small life I lead.

Never on Sunday (1960) is a Greek and English language film directed by Jules Dassin, starring Melina Mercouri and himself. Melina Mercouri was nominated for an Oscar and won the Cannes Film Festival prize for best actress for her role as Ilya, "the prostitute with no price." I never fully understood what was meant by "no price." I assume it meant that she does get paid for her work, but only by the men she chooses to...uh...work for/with. Ilya is a charming character. Everyone loves her and probably because she loves everyone. Her spirit is joyful, she's beautiful inside and out and her only enemy is the man who forces the other "working girls" to pay ludicrously high rent. I like this story more than the story found in Pretty Woman (1990), because in this story, the woman isn't rescued from her life. I don't know how to feel about the whole prostitution bit. Generally, I don't think of a prostitute as a happy person with a full life, good friends and a good roof over her head, but in this story, that is exactly what this...fille de joie is. When an American man named Homer (played by Dassin) comes along in the hopes of "saving" her from immorality, he tries to play Pygmalion. What I like here is that the woman wins. She's a powerful person, and truly grabs life by the jugular, living it and seeing it the way she wants to. She loves going to the theatre to see the Greek tragedies but in retelling the stories later, she twists them from her perspective so that they all end happily with the line, "and they all went to the seashore!" This woman is optimism, and love embodied and though she expresses it in ways that some would be incapable of understanding, one important line explains the message perfectly. "If anyone will save Ilya, it's Tonio." "Why Tonio?" "Because with love, it is possible."

I hate to give the movie away, but this scene is priceless. Here, Ilya discovers that Homer has been playing the Taming of the Shrew card with her. There's a man or two in the world I would LOVE to chase around a room with a broomstick whilst raising hell. In other words: I like this scene a lot.

shirt: Kohls, skirt: Nordies, belt: Goodwill